I sketch a fairy tale forest withįoreboding, gnarled trees. Make a Blank Valuable by Putting It in an Exquisite Frame.ħ, 1975. On the seventh day, we complete “Sky Saw”. Everyone just ignores them.” On the sixth day, I convene a group of musicians (John Cale on viola, Rod Melvin on Fender Rhodes, Paul Rudolph on anchor bass, Percy Jones on fretless bass) and myself on “snake” guitar in Island Studios to improvise and rehearse. Then I write four lines describing my mental process: “All the clouds turn to words. On the fifth day, I scribble down a random series of words (“ching, da da, data, daughter, delphic, doldrums, dumpling, perigee, quantum”) and cut them up and reassemble them. I will construct a text specifically to assist creativity in myself and artists, musicians, and the public. Why is there not more music like this experience? Music that complements whatever environment you are in. The harp music blended into the background with the rain. During my long recovery that lasted for weeks, I was listening to a baroque classical record one afternoon and was attempting to discern the music since it was at a low volume. I was walking across a crowded intersection and was struck by a taxi. I studied painting at the nearby Ipswich Civic College andĪt the Winchester School of Art from 1966-1969. Was born on in the small town of Melton in Suffolk,Įngland.
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